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This period was marked by films that addressed societal anxieties, feudal breakdowns, and the "masculine-dominant discourses" of the time. The Modern "New Wave" and Global Identity

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Today, that relationship has shifted. In Lijo Jose Pellissery’s Jallikattu (2019), the geography becomes a savage, organic maze. The camera races through the crowded market, down the laterite quarries, and into the rubber plantations as a buffalo runs amok. The film argues that the Kerala landscape isn’t tranquil—it is a pressure cooker. When modernity (concrete buildings, cell phones) meets the primal wild (the buffalo, the forest), the land itself erupts. This period was marked by films that addressed