Mary Coughlan -: Red Blues -2002-

To discuss Red Blues without discussing Coughlan’s voice is impossible. By 2002, her voice was no longer the technically "pretty" instrument of her youth. It had deepened, roughened, and gained a gravelly texture that tells a thousand stories of whiskey, cigarettes, and tears. She doesn't hit high notes; she falls into them. She doesn't sustain long phrases; she lets them crack and dissolve.

Collaborators on the album include some of Ireland’s finest session musicians, who understand the delicate art of playing behind a vocalist who treats every syllable like a death rattle. The guitar work is particularly notable for its use of tremolo and reverb, creating a western-gothic atmosphere that complements Coughlan’s distinct vibrato. Mary Coughlan - Red Blues -2002-

(Michael Price/Daniel Walsh) "Blue Light Boogie" (Jessie Mae Robinson) "You Can Leave Your Hat On" (Randy Newman cover) "Portland" (Bill Bourne) To discuss Red Blues without discussing Coughlan’s voice

Musically, "Red Blues" is characterized by Coughlan's distinctive vocal delivery, which effortlessly navigates between tender whispers and soaring crescendos. Her voice is accompanied by a minimalist yet effective instrumental arrangement, featuring a blend of acoustic and electronic elements. She doesn't hit high notes; she falls into them

The reception of "Red Blues" was generally positive, with critics praising Coughlan's vocal performance and the thoughtful selection and arrangement of songs. The album appeals not only to fans of jazz and vocal jazz but also to listeners who appreciate thoughtful, well-crafted song interpretation.