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At its most literal, a fashion gallery serves as a historical ledger. Stepping through its doors, one might move chronologically from the restrictive corsets of the Victorian era to the emancipating flapper dresses of the 1920s, then leap to the power suits of the 1980s and the gender-fluid streetwear of today. Each garment is a primary source. The bustle of an 1890s gown tells us about the physical constraints placed on women, while the frayed denim of a 1960s counter-culture jacket whispers stories of rebellion. In this light, the curator’s job is similar to a historian’s, using hemlines and lapels to trace the evolution of labor, war, and social movements. Fashion becomes the textile of history, worn close to the skin.

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