: Look for containers that are easy to open and close. A smooth locking mechanism is a plus.

Rather than relying on traditional speaker arrays, Paul employed “contact transducers” —devices that turn surfaces into sound‑radiating membranes. By embedding them in steel panels, he turned the capsule itself into a resonant body, producing sub‑bass frequencies that you feel as much as you hear. The central composition, titled Breathless , uses granular synthesis of Paul’s own breath recordings, layered with field recordings from Antarctic ice caves (for their natural reverberation) and the metallic clank of shipyard cranes.

This document is to be destroyed by incineration after reading. Electronic copies are to be deleted and wiped using standard secure deletion protocols.

Grab your copy on Steam, Switch, PlayStation, or Xbox today and step into Paul’s world—where every decision is a lock, and every secret a key.

– Dutch music magazine De Stroom called the event “a masterclass in psychophysical performance, where the body becomes an instrument and the architecture sings back.”